Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Gerard ter Borch the Younger
Portrait of Johanna Bardoel (1603-1669).

ID: 93595

Gerard ter Borch the Younger Portrait of Johanna Bardoel (1603-1669).
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Gerard ter Borch the Younger Portrait of Johanna Bardoel (1603-1669).


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | Briefschreiberin | Self-portrait. | The Reading Lesson | The messenger, known as The unwelcome news | Market in Haarlem |
Related Artists:
Mathieu le Nain
1607 - 1677
Jan Gerritsz. van Bronckhorst
(1603-1661) was a Dutch Golden Age painter and engraver. He is considered today to be a minor member of the Utrecht Caravaggisti group. According to Houbraken, van Bronckhorst apprenticed as an eleven-year-old with the glass engraver Verburgh in Utrecht. He worked with him for 6 months and worked with two other Utrecht glassworkers before embarking on a Grand Tour in 1620. He did not get far before he was offered work in Arras by the glassworker Peeter Matthys. After six months, he continued on to Paris in 1620, where he worked with the glassworker Chamu. He returned to Utrecht in 1622, where Cornelis Poelenburg taught him to paint. He married Catalijntje van Noort in 1626. He frequented the studio of Gerard van Honthorst. In 1647 he moved to Amsterdam where he created the stained glass windows and the organ doors (almost the only area in a Calvinist church where figurative painting was sometimes allowed) of the Nieuwe Kerk (finished in 1655). He has been described as the last of the great stained glass painters in Holland.. Unlike his work for churches, his secular paintings show the influence of Caravaggio, and also show a striking appeal to sensuality. Among his pupils are counted his sons Jan Jansz and Gerrit Jansz, and Cesar van Everdingen.
Daret, Jean
Flemish Baroque Era Painter, 1613-1668 French painter. He came from Brussels and trained there before going on the traditional journey to Italy, which not only took him to Rome but also brought him into contact with contemporary masters at Bologna. While in Italy he produced a Self-portrait (1636; St Petersburg, Hermitage), which alludes to both his ideal model and the necessary basis of his work: his right hand rests on a fragment of antique sculpture, while beside his palette in the foreground lie several sheets of drawings.






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